"Mull of Kintyre" is a song written by Paul McCartney and Denny Laine and performed by Wings. The song was written in tribute to the picturesque Kintyre peninsula in Scotland, where McCartney has owned High Park Farm since 1966, and its headland, the Mull of Kintyre. The song was Wings' biggest hit in Britain where it became the 1977 Christmas number one, and was the first single to sell over two million copies nationwide.
Despite its international appeal, the song was not a major hit in North America, where the flipside "Girls' School" received more airplay and reached 33 on the Billboard Hot 100 and 34 on the Canadian RPM charts. "Mull of Kintyre" was not a pop hit at all in the US, but did manage to reach 45 on the Easy Listening chart.
Meanwhile, in Canada, "Girls' School"/"Mull of Kintyre" was initially tracked as a double A-side, and reached 44 on the pop charts before "Mull of Kintyre" was dropped from the chart listings as of January 21, 1978. "Girls' School" continued its chart climb for a few more weeks, reaching 34 in Canada. After the single fell out of the top 40, it was once again tracked as a double A-side (with "Mull of Kintyre" getting first billing) for one week in April, but did it not better its previous 44 chart peak. "Mull of Kintyre" alone (without "Girls' School") did reach 30 on Canada's Adult Contemporary chart.
"Girls' School" is written and produced by Paul McCartney and was released as a double A-side single with "Mull of Kintyre". Accordingly, it was part of the band's sole UK number one, spending nine weeks at the top in December 1977 and January 1978, although in the UK "Mull of Kintyre" was by far the more popular song. "Girls' School" was in complete contrast to its flip side, being an uptempo rock song.
Mull Of Kintyre was my dad's favourite record. He always liked the sound of pipes and drums and I think I got my love of Scotland from him. I have since visited many places in Scotland that he told me were wonderful and I have also been to some places he told me he wished he'd gone to. I once got very near to Paul McCartneys farm on Mull of Kintyre, but unfortunatly I was too ill that day to walk the four and half miles across country to get to the actual tip of the mull and the beach!
I had never realised until today that this was actually a double A sided record! I have never heard 'Girl's School' before so I have discovered something new this year whilst going through the Christmas number 1s!!
"Mary's Boy Child / Oh My Lord" is a 1978 Christmas single for Boney M. It is a cover of Harry Belafonte's 1956 hit, (written by Jester Hairston) and put in medley with the new song "Oh My Lord" (Farian/Jay). The single topped the UK Singles Chart for four weeks and became Christmas number one, spending eight weeks in the charts.
In the United States, the track reached #85 in the Billboard Hot 100, Boney M's last of four singles to chart; despite its chart position, the medley is an airplay favorite in the United States during the Thanksgiving/Christmas holiday season on radio stations which change to temporary all-Christmas music formats.
It is now common knowlage that Boney M's voices were really only Marcia Barrett and the producer Frank Farian - while the other members in the band just mimed!
Pink Floyd - Another Brick In The Wall (part 2) 1979
"Another Brick in the Wall" is the title of three songs set to variations of the same basic theme, on Pink Floyd's 1979 rock opera, The Wall, subtitled Part 1 (working title "Reminiscing"), Part 2 (working title "Education"), and Part 3 (working title "Drugs"). All parts were written by Pink Floyd's lead vocalist and bassist, Roger Waters. Part II is a protest song against rigid schooling in general and boarding schools in the UK in particular. It was also released as a single and provided the band's only number-one hit in the United Kingdom, the United States, West Germany and many other countries. In addition, in the US, along with the tracks, "Run Like Hell", and "Don't Leave Me Now", "Another Brick in the Wall" reached number fifty-seven on the disco chart.
In the UK, it was Pink Floyd's first single since 1968's "Point Me at the Sky"; the song was also the final number-one single of the 1970s. For Part II, Pink Floyd received a Grammy nomination for Best Performance by a Rock Duo or Group and lost to Bob Seger's "Against the Wind". In addition, Part II was number 375 on Rolling Stone 's list of "The 500 Greatest Songs of All Time".The single sold over 4 million copies worldwide.
The single, as well as the album The Wall, were banned in South Africa in 1980 after the song was adopted by supporters of a nationwide school boycott protesting racial inequities in education under the apartheid regime.
Each of the three parts has a similar tune, and lyrical structure (though not lyrics, aside from the "all in all" refrain), and each is louder and more enraged than the one before, rising from the sadness of Part I to the protesting Part II to the furious Part III.
It was Producer Bob Ezrin's idea to use a school choir for this song,
The most important thing I did for the song was to insist that it be more than just one verse and one chorus long, which it was when Roger wrote it. When we played it with the disco drumbeat I said: "Man, this is a hit! But it's one minute 20. We need two verses and two choruses." And they said, "Well you're not bloody getting them. We don't do singles, so fuck you." So I said, "Okay, fine", and they left. And because of our two [tape recorder] set up, while they weren't around we were able to copy the first verse and chorus, take one of the drum fills, put them in between and extend the chorus.
Then the question is what do you do with the second verse, which is the same? And having been the guy who made Alice Cooper's School's Out, I've got this thing about kids on record, and it is about kids after all. So while we were in America, we sent [recording engineer] Nick Griffiths to a school near the Floyd studios [in Islington, North London]. I said, "Give me 24 tracks of kids singing this thing. I want Cockney, I want posh, fill 'em up", and I put them on the song. I called Roger into the room, and when the kids came in on the second verse there was a total softening of his face, and you just knew that he knew it was going to be an important record.
Griffiths approached music teacher Alun Renshaw of Islington Green School, around the corner from Pink Floyd's Britannia Row Studios, about the choir.
Though the school received a lump sum payment of £1000, there was no contractual arrangement for royalties from record sales. Under a 1996 UK copyright law, they became eligible for royalties from broadcasts, and after royalties agent Peter Rowan traced choir members through the website Friends Reunited and other means, they lodged a claim for royalties with the Performing Artists' Media Rights Association in 2004.
Pink Floyd were my older brothers favourite band so this brings back memories of hearing this song being played very loud in his bedroom!
St Winnifred's School Choir - There's No-one Quite Like Grandma 1980
"There's No One Quite Like Grandma" was a number one hit in the UK Singles Chart, by the Stockport-based primary school choir St Winifred's School Choir from 27 December 1980 to 3 January 1981. It was written by Gordon Lorenz.
The song was a Christmas number-one single in both the UK and Ireland, demoting John Lennon's last single, "(Just Like) Starting Over," to number two. After two weeks on the charts, a previous Lennon song, "Imagine," replaced it. Both Lennon songs were posthumous releases; Lennon had been killed three weeks prior.
More recently, the song was used within the one-off Channel 4 comedy by Peter Kay called Britain's Got the Pop Factor..., which had Sally Lindsay, who was in the original choir of the song, in a cameo role. Furthermore, an extract of the song is always used in the "Granny Brainiac" segment in Series 3 of Sky One TV show Brainiac: Science Abuse.
In October 2009, the song was re-recorded by 14 members of the original choir. It was released in the UK in November 2009 as part of food company Innocent Drinks' "Big Knit" campaign, to raise money for Age Concern.
This single proved to be really hard to find! I think people had bought it at the time and then realised later they didn't like the song and threw them away rather than selling them at recrod fairs and car boot sales. For many years I had this song on a cassette single but eventually managed to trackdown a 7inch single.
"Don't You Want Me" is a single by British synthpop group The Human League. It is the band's best known and most commercially successful recording to date. In 1981 it was the Christmas number one in the UK, where it has since sold over 1,560,000 copies, making it the 23rd most successful single in UK Singles Chart history. It later topped the Billboard Hot 100 in the US on 3 July 1982 where it stayed for three weeks.
An urban myth has grown around the song that it is autobiographical. This is untrue. Susan Ann Sulley is often irritated that she constantly has to refute the mistaken belief that the song is a reference to her and Joanne Catherall joining the band. At only 17 years old when the song was recorded, she was legally too young by UK law to have been a cocktail waitress and was, in fact, still in Secondary School.
"Don't You Want Me" was released in the UK on 27 November 1981. To the amazement of the band, it shot to number one on the UK charts. This success was repeated six months later in the US, with "Don't You Want Me" hitting No. 1 on the Billboard Hot 100 for three weeks. Billboard magazine ranked it as the sixth-biggest hit of 1982. The single was certified Gold by the RIAA the same year for sales of a million copies. As of November 2012, "Don't You Want Me" is the 23rd best-selling single in the UK with 1.55 million copies sold.
The video was released in December 1981, just as the music video culture was becoming an integral part of the pop music scene, and it was a major contribution to the song's commercial success.